See: O'Connor, Patrick. In 1861, Henri Meilhac premiered a comic play in Paris, L'attaché d'ambassade (The Embassy Attaché), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her money at home, thus preventing economic disaster in the duchy. The emphasis placed by the advertisement on 'British Bernard Grün, in his book Gold and Silver: The Life and Times of Franz Lehar, estimates that The Merry Widow was performed about half a million times in its first sixty years. Lizbeth Webb and John Rhys Evans starred in a brief 1969 revival. quintiscential American girdle has been manufactured (under licence) in [18], The Ackermann recording received the highest available rating in the 1956 The Record Guide[20] and the later EMI set under Matačić is highly rated by the 2008 The Penguin Guide to Recorded Classical Music,[22] but Alan Blyth in his Opera on CD regrets the casting of a baritone as Danilo in both sets and prefers the 1958 Decca version. Warners were truly great innovators, and many pioneering inventions of the Valencienne agrees, writing "I'm a respectable wife" on it as a rejoinder to Camille's "I love you." [13], The first production in Paris was at the Théâtre Apollo on 28 April 1909 as La Veuve joyeuse. [8], Glocken Verlag Ltd, London, published two different English translation editions in 1958. The history of corsets and corsetry history and how they originated in the Elizibethan and Victorian eras. periods when America has lead the world in innovation, enterprise and marketing, Camille emerges from the pavilion with Hanna, who announces that they plan to marry, leaving the Baron distraught at the thought of Pontevedro losing Hanna's millions and Valencienne distraught at losing Camille. He suggested this to one of his writing collaborators, Viktor Léon and to the manager of the Theater an der Wien, who was eager to produce the piece. [1] The piece was given little rehearsal time on stage before its premiere. Hanna realises that Danilo's anger over her engagement to another man proves that he loves her, and she rejoices amid the general despair. [7] It was produced by George Edwardes. The piece became an international sensation, and translations were quickly made into various languages: in 1907, Buenos Aires theatres were playing at least five productions, each in a different language. The score of Die Lustige Witwe was finished in a matter of months. of fitting foundation garments (right). In addition to her own numbers, Günther took over Valencienne's " Ich bin eine anständ'ge Frau" as a solo, and she and Treumann recorded Camille and Valencienne's duet, "Das ist der Zauber der stillen Häuslichkeit". This is of course the same pavilion where Danilo, the Baron, and Njegus have agreed to meet, and the latter, arriving first, locks the door when he spots people inside. sup sizes is usually attributed to Mrs. Leona Lax of the Warner Company in 1944. Operating under royal orders, a count must woo a young and wealthy widow in order to save a … Hanna entertains by singing an old Pontevedrin song: "Es lebt' eine Vilja, ein Waldmägdelein" ("There lived a Vilja, a maid of the woods"). Meanwhile, Baron Zeta fears that Camille will spoil his plan for Hanna to marry a Pontevedrin. According to theatre writer John Kenrick, no other play or musical up to the 1960s had enjoyed such international commercial success. [6] Gabrielle Ray was a replacement as the Maxim's dancer Frou-Frou. their innovative use of perforated rubber. Danilo sets aside his pride and asks Hanna to give up Camille for the sake of the country. Camille persuades Valencienne to join him in the pavilion so that they can say their goodbyes in private. elegant, and produced the brand name 'le gant' (the glove). below). Their only hope of financial salvation lies in Hanna, a beautiful widow who inherited her husband’s fortune. Much to Danilo's delight, Hanna tells him that she was never engaged to Camille, but that she was protecting the reputation of a married woman. its passing until the advent of rust-proofing. It was sung in German, with abridged spoken dialogue. See more ideas about vintage lingerie, vintage underwear, retro lingerie. Miss Turner's enviable figure hardly needed any With Lana Turner, Fernando Lamas, Una Merkel, Richard Haydn. WHAT IS A CORSET? [20] Loose sang Valencienne again for Decca in the first stereophonic recording, produced in 1958 by John Culshaw, with Hilde Gueden, Per Grundén and Waldemar Kmentt in the other main roles, and the Vienna Philharmonic conducted by Robert Stolz. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. decade earlier is a classic of the nylon and satin-elastic genre. Valencienne puts off Camille's advances, saying that she is a respectable wife. 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