Elgar's Enigma Variations by Barbirolli (EMI). It's the 1954 version that's been routinely reissued (most recently as an SACD/CD hybrid). We should probably start a new thread on this as we're a bit off topic. Maybe he will see this post and will chime in to let us know (I'll also try to remember to check and to post my finding). Forte means loud and piano means soft. Classical Music Forum . May 17, 2012 #1 I spent the evening doing a comparison of various versions of Beethoven's 3rd symphony and … Sometimes i prefer different recordings.Mahler 3 (Zander; Telarc)Mahler 9 (Maazel; Sony)Beethoven 3 (Vanska; BIS--and Vanska's 9th as well, already mentioned)Berlioz: Requiem (Spano; Telarc)Copland: Symphony 3 (Oue; Reference -- or Slatkin; BMG)Mussorgsky Pictures (Oue; Reference -- or Maazel; Telarc)Rachmaninoff: Symphonic Dances (Oue; Reference)Verdi Requiem (Shaw; Telarc)Ravel: Daphnis & Chloe complete (Munch; BMG)Stravinsky: Firebird Suite (Chung; DG)Holst: Planets (Dutoit; Decca)Britten: War Requiem (Hickox; Chandos)Vaughan Williams: Symphony 2 (Hickox; Chandos -- or Previn; Telarc)Debussy: Nocturnes (Boulez; DG)Ravel: Orchestral Music (Skrowaczewski, Minnesota -- this has been reissued on several different labels, and there are maybe 4 CD-fulls of this, all wonderfully recorded and played). However, we still have plenty left to capture music - even the dynamic extremes of a full orchestra. On the Karajan disc, for example, the 4 Last Songs do get a bit bright & shrill. No pbarach, I am not looking for sound effects and that is why I am shy of movies. RR should do a road show with this demo! Why the question: The question is about comparing the two schools of music – Hindustani and Carnatic. One of the essential characteristics of Classical music is the use of dynamic contrasts in the music. This does NOT mean the volume setting on your stereo system. They have tested many computer playback systems. Classical vs Baroque . But if it's the sonic characteristics one is after primarily, one should definitely stay with contemporary recordings, but that would mean losing out on so much of what's good. Exciting stuff. Good to have as reference. Mahler Symphony 9 - Claudio Abbado/Berlin (Deutsches Gram. I'll inform you guys after the musical feast! I understand the virtues of outstanding historical performances but sound quality is the reason we are on Stereophile. The very last cut on the album "Genesis 1:5" reaches a huge climax and then fades slowly into the distance. I haven't checked Mr. Atkinson's wonderful recording of Attention Screen. Corran. Elk, As an aside, I was reading this article about the unusually high dynamic range of 'Ghetto of my Mind' from Rickie Lee Jones's Flying Cowboys (apparently related to a spotlighted snare drum and therefore probably accidental) but was then surprised to read this post which states: So I am wondering how this seemingly modest figure of 26-28dB of dynamic range for a recording regarded as extreme stacks up against the theoretical maximum of the CD medium which is 98dB. I need full orchestra music. I need about three classical pieces that have really contrasting dynamics because I'll be programming strobe lights to the beats for use in a club. The Romantic era was all about making a big splash, overwhelming audiences with intensely emotional music that included extremes of every kind, including contrasting dynamic levels. Also apart from music recommendation, I shall appreciate the details for CD label/ recording company so I can buy the exact … This is probably because of the prominence of the drum set in jazz, which is extremely loud compared to any chamber instrument (and has gotten considerably louder with the advent of rock music) and tends to play at a fairly consistent volume. The term is also applied to the written or printed musical notation used to indicate dynamics. 1. No. My favorites to use when teaching include: In The Hall Of The Mountain King. 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